At the beginning of the 20th century, in a remote village in the Sicilian countryside, Pina, the baker's daughter, masks her power to regenerate the earth from others. With each harvest, unscrupulous bandits plunder the village, sowing terror. The kidnapping of Pina by the ferocious mafia boss will plunge the hamlet into an era of famine until the fate of the entire country is turned upside down.

Tony has just turned 26 and is feeling blue ... that is until he follows his mysterious neighbors through a mystical closet and onto a dance floor where you never have to grow up.

Ana, a young Filipina filmmaker, shoots a re-enactment of a fight she once had with her mother - a fight brought on by mutual refusals to communicate. Spurred on by the obsessive need for perfection, Ana “fixes” the fight by rewriting every veiled insult into a chance for forgiveness. As her perfect story diverges further from the reality of what happened, she begins to realise what her mom has been trying to say all along.

In Taliban-controlled Afghanistan, a woman walks into a Hijab store to buy her first full body veil from a Talib shopkeeper.

When an explosive Detroit jazz sextet begins rehearsing in a desolate industrial lounge, their music awakens iconic producer Warren Defever from a transcendental hibernation and, guided by unseen forces, he drives his classic Ford to where they are playing, and utilizing vintage gear and old school recording techniques, captures and inspires—live on tape—the band's virtuoso, unrivaled performance. Director of Photography - Richie Trimble Editor - Cameron Gunn Production Designer - Pat Bird Wardrobe Stylist - Paulina Petkoski Executive Producers - Adam Jankovich, John Miskena, Paddy Lynch

A silent film that encompasses Malti's constant back and forth between reality and illusion, after discovering her husband's alleged affair.

YOU DON'T HAVE TO LIKE ME delves into the harsh realities of a woman who presents as masculine, grappling with insecurities that threaten to consume her whole being. It captures the moments when disownment can lead to crippling self-judgment, when you feel like nothing more than a shadow of yourself. It’s a testament to the resilience, beauty, and strength of those who defy societal expectations, shedding light on the many facets of being a woman in a world that so often attempts to define and confine us.

The music video for Allie Young's "Back and Forth" - filmed over the course of two days in Belgrade, Serbia, forged in blues and reds, dredged in silk and smoke and glass.

GIRLS IN TROUBLE: THE SERIES is an indie web episodic created by two Alicia’s - musician/writer Alicia Jo Rabins and director/editor Alicia J. Rose - produced by Lara Cuddy. After their successful collaboration on feature film A KADDISH FOR BERNIE MADOFF, the team now brings their focus to stories of Biblical women, expanding Rabins' acclaimed song cycle into a series of snappy storytelling episodes. In each episode, Rabins takes the viewer on a journey into a Biblical woman's story through a feminist diasporic lens, visits scholars and artists to get their take on the story, and celebrates the resilience and strength of these ancient characters. Episode 1 “Vashti” features the rebellious antihero of the Purim story, Queen Vashti.

In the countryside of Iron Age Britain, teenage Georgia makes the unwise decision to seek revenge on the dragon that torched her home and killed her mother; however, her mission is stalled when she unexpectedly discovers a scaly child in the beast’s lair.

Haunted by guilt and regret over her inability to have children, Gaby takes advantage of her husband Jo’s fading memory to create the past they wished they had lived. She fills their home with fake family photos and trinkets of grandchildren, weaving a tapestry of memories to rewrite their shared story. Driven by love and remorse, Gaby reshapes their history, determined to give Jo the life he dreamed of, even if it’s built on illusion. She hopes her efforts will bring him peace, granting him a sense of fulfillment and a life free of regrets.